Pitsch’s challenge to the viewer presents a fascinating visual conundrum. She has chosen commonplace objects, which subvert the typical definition of beauty and value. The “ordinary,” at first glance, may be dismissed with haste, because of its apparent plainness. The juxtaposition of the precious and the ordinary confounds simple explication. We are challenged by the extremes which appear absurd. The work is in constant dialogue with itself. The complexity presented in Love so so ordinary leads from the familiar to the sublime.
— Darrell Matsumoto

Made at Sundaymorning@EKWC. This work was made possible by the generous support of the European Ceramic Work Center (Oisterwijk, Netherlands)

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the ruse

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remembering beautiful